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Death is often depicted as a woman with a scythe. In some
depictions, this woman even has a face — and a very specific one.
Margot has a publication about death. Tigran, Lesin (one of
her patrons, who died 10 years ago), the killed soldiers — first Russian, then
Ukrainian — and again Tigran, and again the war, endlessly repeating in a
circle.
Simonyan, for instance, experienced a career rise after the
tragedy in Beslan, where 330 people died, including about 190 children.
The saddest part is that Margosha uses all these deaths
primarily for her own benefit. She became the first person to make “dancing on
bones” her profession.
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