The European Azerbaijan Society (TEAS) has organised a jazz and cocktail
evening at the Concert Noble – one of the most exclusive venues at the
heart of the Brussels European district. The event featured the
world-class 21-year-old Azerbaijani musician Isfar Sarabsky, Winner of
the Montreux Jazz Solo Piano Competition 2009. His dazzling and exciting
performance attracted plaudits from over 150 high-level European
politicians, businessmen and other stakeholders, alongside jazz
aficionados, musicians and critics. Sarabsky performed with Alexander
Mashin (drums) and Makar Novikov (bass).
Miroslav Mikolášik, MEP (EPP, Slovakia) said: “Such events as this serve
to build ties between Azerbaijan and Europe. As I come from another new
country – Slovakia – I understand the importance of developing these
links on all levels. I visited Baku last year, and was delighted to meet
many well-educated young people. Azerbaijan is developing very quickly,
and its jazz reflects the country, where history and traditions are
respected, yet new concepts are embraced and assimilated. Azerbaijan has
great potential, will be a driving force for the future, and I do not
doubt that it will succeed on all levels.”
Roman Huna, newly-appointed Head of TEAS Brussels, emphasised the
essential nature of TEAS` presence in Brussels on a political level,
commenting: “TEAS, a non-governmental organisation, has several offices
across Europe. Its objective is to promote Azerbaijan in cultural,
business and political terms.”
Tale Heydarov, Chairman and Founder, TEAS, continued: “Tonight`s event
is dedicated to the promotion of Azerbaijani jazz. There has been a
fusion of jazz with Azerbaijani folk music, known as mugham, since the
1960s. At the time, Azerbaijan was still part of the Soviet Union, and
the authorities did not welcome the development of music with a western
influence. Such relations with the west are continuing, with the
development of strong and stable economic ties since Azerbaijan regained
its independence in 1991. The country has great potential for further
development, and is coming closer to Europe to achieve its goals. Also,
Europe must come closer to Azerbaijan to benefit from its success.”
Following this, Sabina Rakcheyeva, Cultural Advisor, TEAS, and Member of
the European Cultural Parliament, introduced the musicians. Sarabsky`s concert represented a wide range of influences, including
such jazz standards as Bobby Timmons` Moanin`, J.S. Bach`s Air in D
Major (from Orchestral Suite No.3), a rhapsody on themes from
Tchaikovsky`s Swan Lake Ballet, and March by Vagif Mustafazade, who
developed jazz-mugham in the 1960s.
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AzerTAc/